With Irmel Kamp, Sebastian Stumpf, Marcel Frey, Margrét H. Blöndal, Seiichi Furuya, Brian O’Doherty, Joachim Bandau, Friedemann Heckel, Laetitia Gendre, HC, Cyrill Lachauer, Federico Maddalozzo, Dirk Braeckman and Noi Fuhrer

This exhibition presents editions, prints, photographs, and limited pieces, most of which were created as part of exhibitions at the gallery. The first from 2011 is by Seiichi Furuya, who fittingly selected a Berlin motif. The latest edition, a series of unique drawings, is by Noi Fuhrer.
The sixteen works shown in the exhibition thus reflect the gallery’s exhibition history.

Galerie Thomas Fischer and Friederike Schilbach (Editorial Director at Aufbau) are pleased to announce the new edition of „Important Artifacts…“ by New York-based artist and writer Leanne Shapton.
Join us for a book presentation and an exhibition of recent paintings by Leanne Shapton. The artist will be present.

Opening reception & book presentation
Wednesday, 17 January 2024, 7-9 pm

With the support of the Embassy of Canada

Blindfold is the title of a show at the gallery featuring new works by Noi Fuhrer and Marcel Frey. The exhibition will be on view from 11 November until 23 December 2023. The opening reception will be held on Friday, 10 November, 6-9 pm.

“Every building is a personality,” says Irmel Kamp about the buildings she photographs. For more than four decades now, in her photography she has been exploring architectural visions of modernism as well as regional peculiarities that shape the cityscapes of Europe and Israel. In her subtle black and white photographs, Kamp captures architectural characteristics and in the process observes the mutual influences between the building and its surroundings. In her third exhibition at Galerie Thomas Fischer, Moderne in Europa (Modernism in Europe), she presents a group of photographs that she took between 1995 and 2006. In this series, she explores architectural utopias become stone from the 1920s and 1930s in the Czech Republic, Poland, Belgium, Italy, the Netherlands, and Germany. Coolly and precisely, she captures the states of these constructed personalities, not always photographing the most well-known buildings, but choosing those whose qualities strike her as most interesting.