The new exhibition by Irish-American artist and author Brian O’Doherty (1928-2022) centres on his conceptual drawings from the 1960s and 1970s. In addition to their intellectual rigour, they are characterised above all by the fact that they undermine this at the perceptual level: through language, irony, aesthetic stimuli and physical-sensual experiences.

With works by Margrét H. Blöndal, Dirk Braeckman, Seiichi Furuya and Friedemann Heckel

Photo: Dirk Braeckman

Although he works with objects, industrial readymades, or construction materials, in his new exhibition at the gallery, Marcel Frey shows once again his profound affinity for the image, transforming the gallery space on Mulackstraße into an installation where the volumes, patterns, and surfaces ultimately become a kaleidoscope of two-dimensional, graphic images.